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All the latest news about the movie adaptation of
The Hunger Games: The Ballad of Songbirds and Snakes

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Explore the Second Film Trailer: Analysis, details and HQ screencaps

The countdown has concluded, and the second official trailer for “The Hunger Games: The Ballad of Songbirds and Snakes” premiered on Good Morning America before being officially released to the world. The intense new trailer, running at 2 minutes and 45 seconds, immerses us back into the world of Panem with fresh exclusive scenes, building anticipation for the film’s release on November 17th. We gathered with a few other fans on the Into the Arena Podcast YouTube channel to react live to the new trailer. Let’s delve into it together.

Trailer

Screencaps

All the HQ screencaps from the trailer have been uploaded to the Official Media Gallery. You can find a few of them below:

Details

New scenes and story details have been unveiled in this trailer, including:

Comparison

There is a noticeable contrast in the visuals between the first and second trailers, particularly evident in the adjustments made to certain CGI effects and the careful reworking of color grading and lighting.

Music

The trailer is accompanied by the beautiful rendition of “The Hanging Tree” by Lucy Gray Baird. Just like in the first trailer, the musical arrangement was crafted by Ursine Vulpine, who previously contributed to the original series’ trailer music.

Funfact

Murray Close, Director of the Photography of the movie, said on instagram that he can be seen in the trailer. He’s the one taking the Coriolanus and Sejanus picture.

Francis lawrence breaks down Hunger Games Easter eggs in new trailer

Francis Lawrence, director of the movie, granted an exclusive interview to Entertainment Weekly, sharing essential insights about the trailer that fans need to know.

Music, of course, plays a more prominent role in the prequel given the songbird’s Covey background. “She’s a performer,” Lawrence says. “After witnessing a man being hanged for multiple murders, she crafts ‘The Hanging Tree,’ which is, of course, 65 years later in these stories a song we hear Katniss singing. So this is a song that’s been passed down through generations of people in District 12.” Though fan theories abound that Lucy Gray has connections to the Everdeen family tree as Katniss’ grandmother, Lawrence sways toward another popular theory: “I think Maude Ivory, the youngest in the Covey, is related to the Everdeens in the grand mythology of everything.” (Get ready to meet Maude Ivory, too.)

We learn Snow’s love of white roses originates from his late mother, who died while giving birth to his younger sibling, who also died. He recalls her always smelling of roses thanks to a rose makeup compact she often used. His grandmother, too, has a rose garden on the terrace of their home. “When you’re distilling a book of this length down to a feature film, there are certain things you have to lose,” Lawrence says of the rose references. “And we lost a little bit of that, but of course we can’t lose roses and Snow’s connection to roses.” The simple gesture felt like a natural inclusion. “It’s part of the fun of being able to tell a story like this. We get to dive into the origins of elements we’re familiar with.”

In the original films, the story ended once the games came to an end, right? Well, the prequel is much more epic in scope. “It traverses much more ground and covers much more emotional territory and tells a larger narrative than just the games themselves,” Lawrence teases. Without giving too much anyway, it’s after the games come to an end that Coriolanus’ story begins. He’s forced to enroll in Peacekeeper duties, and he finds himself in none other than District 12. “If you’ve just seen the other movies with Donald Sutherland and how he reacts to District 12, you would never think that he’d actually spent a fair amount of time there himself as a Peacekeeper,” Lawrence observes.

Both Davis and Dinklage were Lawrence’s first choices for their respective roles. “Some of Peter’s scenes are some of my favorites in the movie,” he says. “I wanted to work with him for so long. He came in and blew everybody away.” Davis, on the other hand, had a “gravitas” that made her perfect for the role of the twisted Gaul, whose weapon of choice, per the trailer, are colorful snake mutations. (Remember those monkey and lizard mutations in the original films?) “We wanted to create a different kind of character in terms of powerful women in these stories,” Lawrence says of the gamemaker. Whereas Julianne Moore’s rebellion leader Alma Coin was a leader corrupted by power, Davis’ Volumnia is “a very strong believer in a specific philosophy and is grooming Snow in that direction,” he notes. “She finds strange joy and creativity in her job as a gamemaker. She’s a creative person with a very sinister underpinning, so there’s a lot of color in her wardrobe and in her hair, even her eyes, and also in her creation… She’s truly the first real gamemaker to think outside the box.”

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